.mf - Throwing Shapes
limited edition CDr
nada 12
Throwing Shapes is the first CD release of computer music by California born and Minneapolis based Michael Flora. Deeply inspired by a love of techno's repetition and sequencer based compositions, modern minimalism, as well as the extreme computer music of the 90's Mego label. The disc features recordings of different patches created through Miller Puckette's Pure Data. Only sine waves are used, sometimes showcasing the pure frequency of the wave itself or often subjected to further abstractions.
01 NOISE
02 PVRC
03 ACIDPAN
04 PATTRN2
05 ACI3
06 246
07 EDIT10SEC
08 MNMLC
09 IMPROV
What people are saying: "Sounds like a modem connecting in slow motion." - A.L.
recently added a field recording page for focused listening here
"Listening is key. Having the ability to listen is a learned function. It is a very creative activity, not passive and important for all aspects of our daily lives. Listening is not a light artistic whim, it is quite a deep emotional and creative experience. Where as hearing, we hear everything, but we rarely get the chance to focus and listen."- chris watson
nada eleven
fnl - ep 3 now available for dl and streaming via.
http://fnlrecs.bandcamp.com/album/ep3
also, new music coming soon from:
tim blechmann and manuel knapp
zachary james watkins
and
michael flora
FNL - ep3
cassette, c30
edition of 25
A
01 alap
02 1063
03 1171
04 1224
05 eaigphtreieln
06 modular processed pd signal...
07 m ay4rhy thm
B
01 solo
02 adrnp
03 1095
New EP of contemporary electronic music from FNL utilizing experimental composition techniques. Featuring improvised, generative and process based compositions.
cassette mastered at Dong-Min Studios
fnlrecs.bandcamp.com
SOLD OUT
July 24
Chris Forsyth
Michael Flora
Casey Deming & Justin Meyers
Pentacene
at
Madame
3401 Chicago
Minneapolis, MN
FNL
nada 10
01 (2:52)
02 (7:27)
03 (1:05)
04 (1:31)
physical: limited edition CDr *inquire: mptyvssl@gmail.com
digital: http://fnlrecs.bandcamp.com/
New EP featuring FNL's latest forays into sound design. Four compositions investigate a contemporary approach to the arrangement of sound, with a focus on microsound, rhythm, and the extreme ends of the audible frequency spectrum.
Intended to be played on systems with a wide frequency response.
